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Liz Cambron is a media maker from Ohio. The inspiration for this site was the kick-ass Ohioan Annie Oakley. You can reach her at lizcambr@gmail.com.
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Ha ha.
(Source: gurl, via vulva-love)
(Source: fridaencoyoacan)
Anita Kunz, Girls Will Be Girls, 2007
Age 8 is the when daughters stop thinking about being leaders. Bet this would fix that. Here’s the deal. European Parliament allows you to bring your child to work. Licia Ronzulli’s daughter, Victoria, is taking advantage of that. Most. Adorable. Parliament. EVER.
(Source: girlgiant, via nirvikalpa)
Yes.
(Source: wheelsforwings, via nirvikalpa)
"Rev. Jesse Lee Peterson, a tea party activist that’s appeared several times on Fox News, and founder of an organization where Sean Hannity serves as an advisory board member, said in a sermon recently published to YouTube that America’s greatest mistake was allowing women the right to vote, adding that back in “the good old days, men knew that women are crazy and they knew how to deal with them."
http://www.rawstory.com/rs/2012/05/07/fox-news-contributor-laments-mistake-of-letting-women-vote/
The Queer Art of Failure
1) The naming of failure not as the negative space opened up by normalized modes of success but as a habitable space with its own logic, its own practices and the potential for new collectivities: success is individualized but failure is collective – 99 %!
2) The book understands failure as a practice that builds upon queerness in the sense that queerness is always a failure to conform, to belong, to cohere. Rather than reorienting queerness, we should embrace failure.
3) The Queer Art of Failure tracks an aesthetic through works by queer artists who focus on awkwardness, limits, disappointment, loss, losing and it identifies an archive not in relation to generic specificity but in relation to the theme of failure itself.
4) Failure suggests a historiographical method within which we must write queer history not simply as a record of heroes, martyrs, forebears, but also as a record of complicity, cowardice, exclusion and violence – in other words, any history, LGBT history included, contains episodes that are shameful, racist, complicit with state power, orientalist, colonial and so on. To leave that history out is to commit to normative models of self, time and the past/future.
(Source: terriblesting, via chasewhiteside)